I’m
resurrecting this story in honor of Tax Day. The truth, however, is that it’s a
perfect example of a story that failed.
This
was only my third online publication, and only my fifth publishing credit
overall, my first two having taken place way back in the twentieth century. “Baby
and Me,” my first story for Every Day
Fiction (published in February 2013) had gone over quite well in spite of
its cynical subject matter, receiving nothing but glowing reviews and an
average rating of 3.9. In addition, at the beginning of April I received a
series of acceptance letters that would have swelled the head of any aspiring
writer – seven acceptances in seven days. I’ll probably never have a week like
that again!
Anyway,
so I guess I was feeling pretty good about myself and my skills as a writer –
and then “April Holiday” came out. It’s the story of the aftermath of Tax Day
at an accounting firm, written as if it takes place at the scene of a disaster.
The language was heavy and overdone; I wanted it to read dramatically, even
though it’s clearly kind of a silly piece. I thought I succeeded, and maybe I
did. There was only one problem. People hated it.
Here
was the first comment:
“After struggling through a jungle of adverbs and
adjectives, I didn't really get the point.”
This
from one of EDF’s top commenters and
a respected writer in his own right; I knew when I read that that the rest of
the day wasn’t going to go well.
At
least I was right about that.
The
story wasn’t rated well, and most of the rest of the comments were critical,
particularly of my use of modifiers. Worse, I feared, people must think it was
stupid; pointless, according to Mr. F. That hurt.
What
was even more irritating was reading other comments later on, and finding
remarks like this:
“As I read it I thought it was well-written but
must admit to re-reading it after Mr. F's comment, and then agreeing with the
overuse of adverbs and adjectives.”
Now I’m not saying that I didn’t jam this piece
chock full of adverbs and adjectives. I definitely did. Across the board,
people agreed that it was too much, and I’ve kept that painfully in mind
throughout every bit of work I’ve written since. But I also couldn’t help but
feel that the story would have fared much better if the first person who
reviewed it hadn’t hated it. His remark demonstrably skewed the opinions of the
other readers, and to me, this was the most important lesson I learned from
this experience. People are influenced by what other people say and think. One
bad review can garner more. And if you’re going to put your work out there for
people to read and review, there’s simply no way around that.
Depressing, isn’t it? Even now, a year later, I
haven’t forgotten how painful that particular publication experience was. I
don’t even like to look at the story I thought was so amusing when I wrote it.
I did learn something that made me feel better on one score, though. Mr. F, the
unwitting spoiler of my April Holiday, isn’t American or even Canadian. In
fact, he resides in a country which likely doesn’t even have a Tax Day, which
may mean that my story may have been completely outside the realm of his
experience. It’s easy to see how that might make one miss the “point” of a
story like this, just as I would be unlikely to comprehend a story he wrote
spoofing his own local government.
It’s hard not to take other people’s harsh words to
heart. Sometimes we need the criticism, even if we don’t like the way it’s
thrown at us. But we also shouldn’t try to make it worse or more insulting than
it is. Reading and writing are subjective. And so, too, are our emotional responses
to other people’s remarks. At the time it felt as if the fragile little writing
world I’d built was about to crumble down around me. My foundation is much more
solid now, and maybe my walls are sturdy enough to withstand most of the slings
and arrows that will be flung my way. They still sting, though, particularly
when they’re sharp and oh-so-accurately aimed. But a good fortress grows
stronger every time it’s assaulted. And maybe the best way to defend what
you’ve built is not to strike back, but to give people fewer reasons to attack
you, by creating a strong body of work of which you – and your readers – will
always be proud.
Adverbs and adjectives are the enemies of clear writing. I was lucky enough to learn this lesson from the work of Hemingway, John O'Hara and Raymond Carver many years ago. But negative reviews can still hurt even when they're accurate. I know the pain all too well.
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