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Saturday, January 31, 2015
What Are People's Reactions When They Find Out You Write Erotica?
My author interview with Guy Hogan of The Pittsburgh Flash Fiction Gazette is online at the following link. (Note: As always when visiting The Gazette, expect to see pictures of naked ladies. Lots of naked ladies.)
http://pittsburghflashfictiongazette.net/lori-schafer-write-erotica/
You can also read my interview in my recently released collection of erotic short short stories To All the Penises I've Ever Known: Erotic Shorts by Lori Schafer, which is FREE for a limited time on ITunes, Smashwords , and Lulu (coming soon to Amazon, Barnes and Noble, and Kobo). For more information, please visit the book's webpage or subscribe to my newsletter.
Sunday, January 25, 2015
Beach House
My romantic flash fiction story "Beach House" has been published in Romance Flash:
http://www.romanceflash.com/home-mainmenu-1
I’ll be the first to admit that this is a pretty sad story for a romance, but compared to the first version I wrote, this one’s all flowers and rainbows!
I originally wrote this piece in response to a contest prompt. Stories for the contest were supposed to feature a weathered beach house and a woman placing a key in an envelope. I confess I had quite a bit of trouble coming up with a storyline, and when I finally did, it was a doozy. The basis of the story was essentially the same as in the second version you read above, except that Susan actually is expecting Derek to arrive. However, in order to incorporate the element of the key and the suggested wording, I had to take drastic measures. This was the original (now the alternate) ending:
“The storm had passed when at last she arose; vanished into the house and emerged many minutes later wearing a clean, dry sundress and carrying a light backpack; a weary traveler yearning for rest. Struggling her way over to her favorite spot on the porch, she sat; took two pills from an orange bottle clenched in her fist and swallowed them whole. She tucked the bottle into her bag and then fumbled through its contents until she retrieved a pen and a crisp envelope creased neatly in half. Awkwardly she unfolded it; opened the flap and dropped a shining silver key inside it; the key to the oceanside home that they had once so happily shared. With trembling fingers, she inscribed the stiff white paper with six simple words and left them there for him to read; for him to try to understand.
Sometimes it does hurt to hope.
Hoisting her bag upon frail, fallen shoulders, she tripped clumsily away from the weathered beach house and across the weather-beaten sand, no longer having a point or a destination. No longer having a companion, to walk with her across the beach until the end.”
Now that is a sad story.
Besides being incredibly depressing, that version somehow never felt right to me, but I couldn’t figure out a way to fix it. Finally I had the bright idea of giving it a happy(ish) ending, and voila - my third piece in Romance Flash.
http://www.romanceflash.com/home-mainmenu-1
I’ll be the first to admit that this is a pretty sad story for a romance, but compared to the first version I wrote, this one’s all flowers and rainbows!
I originally wrote this piece in response to a contest prompt. Stories for the contest were supposed to feature a weathered beach house and a woman placing a key in an envelope. I confess I had quite a bit of trouble coming up with a storyline, and when I finally did, it was a doozy. The basis of the story was essentially the same as in the second version you read above, except that Susan actually is expecting Derek to arrive. However, in order to incorporate the element of the key and the suggested wording, I had to take drastic measures. This was the original (now the alternate) ending:
“The storm had passed when at last she arose; vanished into the house and emerged many minutes later wearing a clean, dry sundress and carrying a light backpack; a weary traveler yearning for rest. Struggling her way over to her favorite spot on the porch, she sat; took two pills from an orange bottle clenched in her fist and swallowed them whole. She tucked the bottle into her bag and then fumbled through its contents until she retrieved a pen and a crisp envelope creased neatly in half. Awkwardly she unfolded it; opened the flap and dropped a shining silver key inside it; the key to the oceanside home that they had once so happily shared. With trembling fingers, she inscribed the stiff white paper with six simple words and left them there for him to read; for him to try to understand.
Sometimes it does hurt to hope.
Hoisting her bag upon frail, fallen shoulders, she tripped clumsily away from the weathered beach house and across the weather-beaten sand, no longer having a point or a destination. No longer having a companion, to walk with her across the beach until the end.”
Now that is a sad story.
Besides being incredibly depressing, that version somehow never felt right to me, but I couldn’t figure out a way to fix it. Finally I had the bright idea of giving it a happy(ish) ending, and voila - my third piece in Romance Flash.
Thursday, January 22, 2015
4 Things You Might Not Know About Queries
I have a guest post up on Savvy Book Writers that may be of interest
to those of you pursuing traditional publishing: "Four Things You Might
Not Know About Queries"
http://www.savvybookwriters.com/4-things-you-might-not-know-about-queries/
http://www.savvybookwriters.com/4-things-you-might-not-know-about-queries/
Thursday, January 15, 2015
Look, Ma - Two Hands!
So five weeks after dislocating my shoulder, I'm finally out of my sling. Sounds great, doesn't it? I just wish someone had told me that my arm wouldn't work for a while afterwards!
Sunday, January 11, 2015
Questions for Writers
Recently I read the following Q & A on Sarah Brentyn’s blog Lemon Shark. She, in turn, had found it on Little Lodestar, where writer Kristen had posted a series of questions entitled Nine Things I Wonder About Other Writers. Well, Sarah asked her readers to post their answers, and as mine, I thought, were too long to leave in the comments, here are my responses:
Do you share your work with your partner or spouse? Does it matter if it’s been published yet?
Very, very rarely. Every once in a while, I feel as though I need an opinion from a non-writer, usually pre-publication. My boyfriend will read my work if I specially ask him to, and he generally offers some pretty solid opinions. But he isn’t really a reader – his idea of compelling literature is homebrew magazines – so it’s unlikely that he’ll ever read any of my novels. To me, this is probably just as well. Some of my work might raise questions that I’m not sure I want to answer!
How much of your family and/or closest “friends in real life first” read your stuff…let alone give you feedback about it?
I somehow manage never to tell anyone when I’ve had something published, so it’s rare that this happens. In fact, up until a few months ago, when I formally announced that I was releasing a memoir, most of my friends didn’t even know I was writing. Somehow it just never came up. Again, to me, this is just as well, because some of my work might raise questions that I’m not sure I want to answer!
What do you do with the pieces that continually get rejected–post on your blog? Trash? When do you know it’s time to let it go?
So far, I only have a few pieces that I’ve given up on all together. For the most part, I believe that getting work published is mostly a matter of finding the right market. However, for those that repeatedly get rejected, I do reconsider whether they’re just difficult to place because of their subject matter or nature, or whether they actually stink. Stories that I still think are good I might post on my blog or story-sharing sites. Those that I suspect are completely unusable I would like to one day post on my blog, and solicit opinions as to why they stink.
Are there pieces you write for one very specific place that, once rejected, you just let go of, or do you rework into something else?
This has only happened to me once so far. Very early in my writing career, before I even had any publishing credits, I wrote a very long article – nearly a paper, if you will – analyzing the marriage penalty as it applies to taxation in the United States. It was a subject in which I was interested, anyway, and I had hoped to be able to get it published in one of a handful of financial magazines. However, I never received a response to my first query, and in the meantime, I had moved on to other things. Well, in the interim, a new year rolled around and there were tax law changes that affected some of my numbers. I would have had to rerun numerous scenarios in order to update the article – which was heavy on figures – and by then, I was having work published regularly and was no longer so desperate to garner credits. However, I still wouldn’t say I’ve given up on the idea. I may still revisit it two or three or five years from now, when I feel like sinking my teeth into something more academic again.
What is your main source of reading-based inspiration (especially you essayists)? Blogs? Magazines? Journals? Anthologies? Book of essays by one writer?
That’s an interesting question. Reading it, I realize that I very rarely – if ever – read magazines or journals or anthologies or books of essays by one writer. Nowadays, I do read blogs with a fair amount of regularity, but I still wouldn’t say that those are my main source of reading-based inspiration. In fact, if I had to identify one, I would probably say that more of my ideas come from nonfiction. I very much enjoy reading history, and it’s actually quite rare for me to read a whole book of it without getting at least one new
idea.
What tends to spark ideas more for you: what you see/hear in daily life or what you read?
It depends on the type of work. Most of my novels contain characters inspired by people I know in real life, and the settings in which I place them often mirror my own life scenarios. This is why my books’ pivotal events tend to transpire at beer festivals or while camping, because, evidently, I write what I know. However, for the other half of my writing life, in which I blog, write flash fiction and short stories, even essays, I tend to find more inspiration from what I read.
Who have you read in the past year or two that you feel is completely brilliant but so underappreciated?
Winston Churchill. Seriously, that guy was brilliant, and his writing is amazing. I’m very grateful that he played such an important role in history, and at a time in which voice recording existed. YouTube will keep Churchill’s words alive long after his written work has fallen deep into oblivion.
Without listing anything written by Dani Shapiro, Anne Lamott, Lee Gutkind, or Natalie Goldberg, what craft books are “must haves”?
Strunk and White’s Elements of Style. I also find the American Heritage Guide to English Usage to be extremely useful.
Have you ever regretted having something published? Was it because of the content or the actual writing style/syntax?
Not yet. I did, however, have a rather unpleasant moment a while back, when I first began having erotic work published. Most of my erotica is more humorous than dirty – or at least half-and-half. However, there was one piece in particular that surpassed the bounds of my usual work – the kind of story you would never admit to your mother or even your third cousin twice removed that you’d written it. Well, as it happened, I discovered around that time that my boss was reading my blog! Suddenly I felt very awkward about publicizing this particular publication. It wasn’t that I was ashamed or embarrassed about it, exactly – I was simply afraid of being subjected to questions. Somehow I just did not want to have that conversation with my employer – not to mention the fact that it probably would have changed how he looked at me from then on. Kind of a weird feeling. I still took ownership of the piece – in fact, it’s in my collection To All the Penises I’ve Ever Known – but even there, I didn’t want to comment on it extensively. That was when I first realized that I’m perfectly comfortable writing about things that I would never, ever say. So please, no follow-up questions – at least not if you meet me!
How about you? What kinds of things do you wonder about other writers? I know of one question that I’d add to the list.
What is your lifetime goal for your writing? You know, not the hard-headed, realistic version that you tell other people, but the starry-eyed, big dream scenario that you’re too scared to share?
"Never in the field of human conflict was so much owed by so many to so few."
Do you share your work with your partner or spouse? Does it matter if it’s been published yet?
Very, very rarely. Every once in a while, I feel as though I need an opinion from a non-writer, usually pre-publication. My boyfriend will read my work if I specially ask him to, and he generally offers some pretty solid opinions. But he isn’t really a reader – his idea of compelling literature is homebrew magazines – so it’s unlikely that he’ll ever read any of my novels. To me, this is probably just as well. Some of my work might raise questions that I’m not sure I want to answer!
How much of your family and/or closest “friends in real life first” read your stuff…let alone give you feedback about it?
I somehow manage never to tell anyone when I’ve had something published, so it’s rare that this happens. In fact, up until a few months ago, when I formally announced that I was releasing a memoir, most of my friends didn’t even know I was writing. Somehow it just never came up. Again, to me, this is just as well, because some of my work might raise questions that I’m not sure I want to answer!
What do you do with the pieces that continually get rejected–post on your blog? Trash? When do you know it’s time to let it go?
So far, I only have a few pieces that I’ve given up on all together. For the most part, I believe that getting work published is mostly a matter of finding the right market. However, for those that repeatedly get rejected, I do reconsider whether they’re just difficult to place because of their subject matter or nature, or whether they actually stink. Stories that I still think are good I might post on my blog or story-sharing sites. Those that I suspect are completely unusable I would like to one day post on my blog, and solicit opinions as to why they stink.
Are there pieces you write for one very specific place that, once rejected, you just let go of, or do you rework into something else?
This has only happened to me once so far. Very early in my writing career, before I even had any publishing credits, I wrote a very long article – nearly a paper, if you will – analyzing the marriage penalty as it applies to taxation in the United States. It was a subject in which I was interested, anyway, and I had hoped to be able to get it published in one of a handful of financial magazines. However, I never received a response to my first query, and in the meantime, I had moved on to other things. Well, in the interim, a new year rolled around and there were tax law changes that affected some of my numbers. I would have had to rerun numerous scenarios in order to update the article – which was heavy on figures – and by then, I was having work published regularly and was no longer so desperate to garner credits. However, I still wouldn’t say I’ve given up on the idea. I may still revisit it two or three or five years from now, when I feel like sinking my teeth into something more academic again.
What is your main source of reading-based inspiration (especially you essayists)? Blogs? Magazines? Journals? Anthologies? Book of essays by one writer?
That’s an interesting question. Reading it, I realize that I very rarely – if ever – read magazines or journals or anthologies or books of essays by one writer. Nowadays, I do read blogs with a fair amount of regularity, but I still wouldn’t say that those are my main source of reading-based inspiration. In fact, if I had to identify one, I would probably say that more of my ideas come from nonfiction. I very much enjoy reading history, and it’s actually quite rare for me to read a whole book of it without getting at least one new
idea.
What tends to spark ideas more for you: what you see/hear in daily life or what you read?
It depends on the type of work. Most of my novels contain characters inspired by people I know in real life, and the settings in which I place them often mirror my own life scenarios. This is why my books’ pivotal events tend to transpire at beer festivals or while camping, because, evidently, I write what I know. However, for the other half of my writing life, in which I blog, write flash fiction and short stories, even essays, I tend to find more inspiration from what I read.
Who have you read in the past year or two that you feel is completely brilliant but so underappreciated?
Winston Churchill. Seriously, that guy was brilliant, and his writing is amazing. I’m very grateful that he played such an important role in history, and at a time in which voice recording existed. YouTube will keep Churchill’s words alive long after his written work has fallen deep into oblivion.
Without listing anything written by Dani Shapiro, Anne Lamott, Lee Gutkind, or Natalie Goldberg, what craft books are “must haves”?
Strunk and White’s Elements of Style. I also find the American Heritage Guide to English Usage to be extremely useful.
Have you ever regretted having something published? Was it because of the content or the actual writing style/syntax?
Not yet. I did, however, have a rather unpleasant moment a while back, when I first began having erotic work published. Most of my erotica is more humorous than dirty – or at least half-and-half. However, there was one piece in particular that surpassed the bounds of my usual work – the kind of story you would never admit to your mother or even your third cousin twice removed that you’d written it. Well, as it happened, I discovered around that time that my boss was reading my blog! Suddenly I felt very awkward about publicizing this particular publication. It wasn’t that I was ashamed or embarrassed about it, exactly – I was simply afraid of being subjected to questions. Somehow I just did not want to have that conversation with my employer – not to mention the fact that it probably would have changed how he looked at me from then on. Kind of a weird feeling. I still took ownership of the piece – in fact, it’s in my collection To All the Penises I’ve Ever Known – but even there, I didn’t want to comment on it extensively. That was when I first realized that I’m perfectly comfortable writing about things that I would never, ever say. So please, no follow-up questions – at least not if you meet me!
How about you? What kinds of things do you wonder about other writers? I know of one question that I’d add to the list.
What is your lifetime goal for your writing? You know, not the hard-headed, realistic version that you tell other people, but the starry-eyed, big dream scenario that you’re too scared to share?
"Never in the field of human conflict was so much owed by so many to so few."
Friday, January 9, 2015
Reviews Wanted for "The Hannelack Fanny, Or How I Learned to Stop Worrying and Love My Rump"
Are you a blogger or book reviewer who likes humor in your erotica? I am offering a free read-for-review for my newly published funny and sexy short story The Hannelack Fanny: Or How I Learned to Stop Worrying and Love My Rump.
A young woman's life is changed forever when she discovers what everyone around her has known all along: that a renowned family characteristic has re-emerged in a most unfortunate location - her own backside. Follow her journey from embarrassment to acceptance to unbridled joy as she learns to appreciate the wonders of going through life with the Hannelack fanny. And don't forget to look for my commentary on the real-life inspiration behind this glorious tale of a glorious behind - me!
6,000 words or roughly 27 Kindle pages.
NOTE ON CONTENT: The Hannelack Fanny, while in large part a humorous piece, contains explicit sexual scenarios and is therefore inappropriate for readers under the age of eighteen.
If you're interested in reviewing my story, please comment on this post with your contact information or email me directly at lorilschafer(at)outlook(dot)com. I look forward to hearing from you!
A young woman's life is changed forever when she discovers what everyone around her has known all along: that a renowned family characteristic has re-emerged in a most unfortunate location - her own backside. Follow her journey from embarrassment to acceptance to unbridled joy as she learns to appreciate the wonders of going through life with the Hannelack fanny. And don't forget to look for my commentary on the real-life inspiration behind this glorious tale of a glorious behind - me!
6,000 words or roughly 27 Kindle pages.
NOTE ON CONTENT: The Hannelack Fanny, while in large part a humorous piece, contains explicit sexual scenarios and is therefore inappropriate for readers under the age of eighteen.
If you're interested in reviewing my story, please comment on this post with your contact information or email me directly at lorilschafer(at)outlook(dot)com. I look forward to hearing from you!
Thursday, January 1, 2015
How New Year’s Resolutions Weaken Our Resolve
The trouble with the New Year’s resolution is that,
by its very nature, it doesn’t take effect until after the end of the current year.
And in a backhanded way, this encourages us to wait to act upon our resolve. We
don’t exercise in December because we’ve decided to get in shape after the
holidays. We don’t quit smoking in October because, without the motivation of
the New Year’s resolution, we’re afraid we’ll fail. We don’t start tucking
money away in August for that dream vacation we’ve always wanted to take,
because there’s school clothes shopping to do, and then the holidays are coming
up, and once again, we’ve postponed that project to another year.
And then what happens when we, as we inevitably
must, fail to keep some of those resolutions we made in so much earnest? We
wait again. We try again – the following year. How much of our lives are wasted
waiting for this imaginary turning point to roll around so that we can make
those changes we believe are so vital to our well-being and sense of
fulfillment?
This is the core of the problem with marking time in
our lives by special occasions – it causes us to neglect all of the everyday
occasions that would have served us equally as well in helping us to attain our
goals. Maybe your sweetheart expects you to present her with flowers on Valentine’s
Day, but she’ll be much more impressed by the bouquet you bring in November.
Chocolate cake is sweeter when it’s not baked on your birthday. Why wait until
New Year’s Eve to have a beer and hang out with your friends? Won’t your mom be
more pleased if you call her in March just to chat, then if you wait until May
to wish her a Happy Mother’s Day?
I don’t ever want to wait until January 1st to
change my life. I might want to quit my job on July the 15th, or start writing
a book on September the 24th. It doesn’t need to be the first of the year or
the first of the month before I decide to move forward with my resolutions; any
given Monday will do. I’ll derive just as much joy from turning my life around
at 3 o’clock on a Tuesday afternoon in June, as at midnight on a Thursday in
January.
So that’s my New Year’s resolution. Never again to
wait for a new year to arrive before I make my resolve. Never again to pretend
that January will be soon enough for me or my life to change. It isn’t.
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