Scooby-Doo. Amazing, isn’t it? Here it is, nearly fifty years after the first episode aired, and Scooby-Doo movies and cartoons are still being made.
I’ll admit that I haven’t watched any of the newer programs myself, so I can’t speak as to their quality. I loved the original Scooby-Doo shows way too much to taint my memory of them with some newer (and undoubtedly less charming) version of a classic. Besides, I still watch the reruns from time and time, and you know what? I’ll be darned if they aren’t just as good as they were when I was a kid. Of course, maybe I appreciate them on a slightly different level now.
Because it turns out that the Scooby-Doo shows, in their early manifestations, weren’t about a gang of teenagers and a talking dog. They weren’t about how many ways you can work chocolate sauce into a quadruple-decker sandwich, or how easily villains are fooled by cheap, impromptu disguises. They weren’t even about solving mysteries. What Scooby-Doo was really about was the triumph of reason over superstition. Because what devotees of Scooby-Doo learned from watching the show was simply this: There is a rational explanation for everything.
It’s brilliantly done. You have Fred and Velma, the logical leaders of the group, who are consistently convinced that there’s no such thing as ghosts and are determined to prove it. You have Daphne, who stands on the fence, being sometimes a believer and sometimes a skeptic. And finally you have Scooby and Shaggy, the superstitious “cowards” who fall prey to every supernatural trick. Yet they’re the ones who always end up having to lure their paranormal pursuers into the gang’s cleverly designed trap. They’re the ones who constantly have to find the courage to confront their fears, and who ultimately reap the greatest satisfaction from uncovering the truth. And they’re undeniably our favorites, the ones we identify with and support.
You can’t help but root for the hungry young man and his faithful and equally hungry Great Dane, to hope that they’ll learn to trust the logic of their peers even as we ourselves learn to trust it. Because the show proves, time and again, how needless their fear really is, how silly their conviction that werewolves and mummies and monsters are real. And as viewers, we know better, because we know how it always ends. The phosphorescent alien footprints trailing across a barren field. The eerie thumping of a mysterious and invisible drummer. The green ghosts emerging from hidden hallways and secret staircases to taunt and terrorize our valiant crew. Week after week, we watch and we learn.
There’s no such thing as ghosts. It’s always a trick, a scheme devised by mere mortal men to keep people away from the site of the haunting or other creepy phenomenon. There’s always a plot to abscond with someone else’s treasure, or to foil the attempts of greedy neighbors to abscond with one’s own. No matter how frightening or eerie or persuasive the phantom, it always turns out to be a man in disguise.
That’s what makes Scooby-Doo the ultimate symbol of my generation. It’s why we think the way we do; why we champion proof and science, and why we’ve discarded spooks and angels. It’s why when a door slams shut in the middle of the night we suspect a prowler and not a poltergeist. It’s why we blame trick photography and digital imaging for producing shapes and shadows we can’t discern or identify. It’s why we’ve lost belief in demonic possession and intensified our interest in mental illness, and why we hope to find aliens and not to fight them. Because we know that crime is real. That evil is real. That fear is real. But we also know that no supernatural power lies behind them. Only a human, just like us.
Is it better this way? Perhaps. Except that we’ve gone beyond the golden Scooby-Doo moment of discovering that the spirit of which we were deathly afraid is just a run-of-the-mill crook playing a trick. There’s no revelation here, no joy in finally uncovering the man behind the mask. Because we never thought for a moment that the ghost was real. We never believed it was anything more than another troubled human taking what wasn’t theirs and scaring people in the process. Because that’s how thoroughly we understand humans now, how much more dangerous they are than demons and phantoms. Fear doesn’t come from outer space or beyond the grave anymore. It’s right here beside us, sleeping in the upstairs apartment or working in the next tiny cubicle or tramping down the same tiled hallway.
Science has triumphed. Rationality has triumphed. But they haven’t turned our world into a prettier or less intimidating place. Rather they’ve made us aware that what humans harbor in the darkest depths of their hearts is more frightening by far than any monster we could have imagined. We expect monsters to kill and destroy without thinking, and without reason. We don’t expect spirits to care whom they frighten, or whom they hurt. But we expect humans to behave better than beasts or bogeymen. How do we explain it when they don’t?
Scooby-Doo understands. Because here, in the real world, behind every event we can’t explain, there also lies a mystery to unravel. Perhaps it’s not the mystery we were expecting, because it’s not merely a matter of proving that the ghost is a fake, or that there’s a real live person behind it. This infinitely more complex riddle can never be solved in twenty-two minutes with a jumbo box of laundry detergent and an industrial-sized fan. It’s the mystery of human behavior, of what truly transpires on the other side of the masks that all of us wear.
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Saturday, March 15, 2014
Saturday, March 8, 2014
"Missed Connection" on The Pittsburgh Flash Fiction Gazette
My erotic flash fiction piece "Missed Connection" has been published in The Pittsburgh Flash Fiction Gazette:
http://pittsburghflashfictiongazette.net/fiction-missed-connection-lori-schafer/ (Adult Content)
A couple of months ago, I wrote a post about my short-short “Delayed Connection," which was then the home-page story on Romance Flash. In it I describe how the original idea for that very sweet, very romantic story came to me from this one, “Missed Connection,” which is a much more sexual and also strangely sadder piece.
The original premise was actually not, as you might think, the chance meeting at the airport. Rather it was about the confession with which the story begins. Because I think we can all relate to that, to the regrets we have over the “one that got away,” over never making a move when we had the chance. How afraid we were to share our feelings, for fear of being rejected, yet how simultaneously eager we were to admit them, on the unlikely chance that our emotional and/or physical affection would be returned. The narrator here has taken the bold and incredibly foolish step of actually making the confession – in writing, no less – not in the middle of the acquaintance, but after it’s too late for anything to happen between her and her object of desire.
What could possibly motivate a character to do something like that? There’s nothing in it for her, obviously, nothing to be gained but an increase in her pain and humiliation, so why would she do it? The answer is simply that she wanted him to know. At the very last, she wanted him to know how attractive he was to her, and what kind of fantasies he inspired, even if it meant exposing her deepest secrets to someone who had already left her behind. It’s a remarkably unselfish act. Stupid, surely, but unselfish.
I’d like to say that she's rewarded for making this unusual parting gift, and perhaps, in a way, she is. In the end, she still doesn’t get what she wanted. But maybe she feels a little better about not getting it. And if you find yourself grieving over a lost love, you would be a fool to hope for more than that.
The “Lori Schafer Special” is now up on The Pittsburgh Flash Fiction Gazette;
the front page features four of my flash fiction stories, including my
latest release, “Missed Connection.” Please check it out to read my
interview with Guy Hogan, in which I discuss my forthcoming novels,
modern pornography, and the art of writing erotica. As always when
visiting the Gazette, be forewarned that besides sexy fiction, it also
features naked ladies – lots of naked ladies. And no, none of them are
me!
http://pittsburghflashfictiongazette.net/lori-schafer-write-erotica/
"Missed Connection" is one of the stories to be featured in my forthcoming collection To All the Penises I've Ever Known: Romantic and Erotic Shorts by Lori Schafer. For more information, please visit the book's webpage or subscribe to my newsletter.
http://pittsburghflashfictiongazette.net/fiction-missed-connection-lori-schafer/ (Adult Content)
A couple of months ago, I wrote a post about my short-short “Delayed Connection," which was then the home-page story on Romance Flash. In it I describe how the original idea for that very sweet, very romantic story came to me from this one, “Missed Connection,” which is a much more sexual and also strangely sadder piece.
The original premise was actually not, as you might think, the chance meeting at the airport. Rather it was about the confession with which the story begins. Because I think we can all relate to that, to the regrets we have over the “one that got away,” over never making a move when we had the chance. How afraid we were to share our feelings, for fear of being rejected, yet how simultaneously eager we were to admit them, on the unlikely chance that our emotional and/or physical affection would be returned. The narrator here has taken the bold and incredibly foolish step of actually making the confession – in writing, no less – not in the middle of the acquaintance, but after it’s too late for anything to happen between her and her object of desire.
What could possibly motivate a character to do something like that? There’s nothing in it for her, obviously, nothing to be gained but an increase in her pain and humiliation, so why would she do it? The answer is simply that she wanted him to know. At the very last, she wanted him to know how attractive he was to her, and what kind of fantasies he inspired, even if it meant exposing her deepest secrets to someone who had already left her behind. It’s a remarkably unselfish act. Stupid, surely, but unselfish.
I’d like to say that she's rewarded for making this unusual parting gift, and perhaps, in a way, she is. In the end, she still doesn’t get what she wanted. But maybe she feels a little better about not getting it. And if you find yourself grieving over a lost love, you would be a fool to hope for more than that.
***
http://pittsburghflashfictiongazette.net/lori-schafer-write-erotica/
***
"Missed Connection" is one of the stories to be featured in my forthcoming collection To All the Penises I've Ever Known: Romantic and Erotic Shorts by Lori Schafer. For more information, please visit the book's webpage or subscribe to my newsletter.
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